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MoMA presents new exhibition: Transmissions: Art in Eastern Europe and Latin America, 1960–1980
United States Architecture News - Sep 05, 2015 - 14:45 5587 views
Juan Downey. Map of America. 1975. Colored pencil, pencil, and synthetic polymer paint on map on board. Purchased with funds provided by the Latin American and Caribbean Fund and Donald B. Marron. © 2015 Juan Downey/Artists Rights Society (ARS), New York.
Transmissions: Art in Eastern Europe and Latin America, 1960–1980
September 5, 2015–January 3, 2016
The Joan and Preston Robert Tisch Exhibition Gallery, sixth floor
Transmissions: Art in Eastern Europe and Latin America, 1960–1980 focuses on parallels and connections among artists active in Latin America and Eastern Europe in the 1960s and 1970s. During these decades, which flanked the widespread student protests of 1968, artists working in distinct political and economic contexts, from Prague to Buenos Aires, developed cross-cultural networks to circulate their artworks and ideas. Whether created out of a desire to transcend the borders established after World War II or in response to local forms of state and military repression, these networks functioned largely independently of traditional institutional and market forces.
Drawn from The Museum of Modern Art’s collection, Transmissionsbrings together landmark works by Eastern European artists including Geta Br?tescu, Tomislav Gotovac, Ion Grigorescu, Sanja Ivekovic, Dóra Maurer, and the anti-art collectives Gorgona, OHO, Aktual, and Fluxus East, as well as Latin American artists such as Beatriz González, Antonio Dias, Lea Lublin, and Ana Mendieta. Particular attention is paid to the group of Argentine artists clustered around the influential Instituto Torcuato Di Tella, including Oscar Bony, David Lamelas, and Marta Minujín, who confronted the aesthetic and political implications of mass media communication—including film, television, and the telex—during a vibrant, experimental period of technological innovation and political tension. The featured artists circumvented the political status quo through unorthodox and ephemeral art forms. By utilizing or referring to mass media and communication technologies, many of these artists explored novel ways of bringing art into daily life to reach a wider public and to influence society.
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