The Artist as Curator is a serial publication that examines a profoundly influential but still understudied phenomenon, a history that has yet to be written: the fundamental role that artists have played as curators. Taking the ontologically ambiguous thing we called “the exhibition” as a critical medium, artists have often in the process radically rethought the conventional form of the exhibition as such. This project is about precisely those exhibitions.
Two essays will appear in a loose booklet in each edition of Mousse over two years, before being published in book form at the end. Collectively, they will address twenty seminal artist-curated exhibitions, spanning a period from the postwar to the present.
The series is conceived and edited by Elena Filipovic, published by Mousse, and generously supported by an engaged group of art institutions and foundations that have made possible the research and production of the series.

When Exhibitions
Become Form:
On the History of the
Artist as Curator

WIELS Contemporary Art Centre, Brussels
Bergen Kunsthall, Bergen
Fundación Jumex Arte Contemporáneo, Mexico City
de Appel, Amsterdam
Fundación Almine y Bernard Ruiz-Picasso Para el Arte,Madrid
Mousse, Milan

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