This thesis proposes the revitalization of Kokil Peri Palace and nearby heritage structures in Kolakopa, Nawabganj, Dhaka, through architectural conservation and adaptive reuse. Unlike traditional passive visits, the design includes role-playing zones, AR/VR experiences, and museum spaces to create an emotional and interactive journey into history. An underground entry plaza controls visitor flow, while public areas like ghats, play zones, and an amphitheater enhance engagement. The project blends storytelling, technology, and preservation to make heritage a living experience for future generations.

What makes this project truly significant is that it marks the very first architectural intervention on this forgotten heritage site. Until now, Kolakopa’s Kokil Peri Palace and its surrounding structures had remained undocumented, untouched, and unimagined in the field of design without the Khelaram datar mandir. Only Khelaram datar mandir conserve by Archeology Department of Bangladesh in this Site.

No architectural study, no preservation plan, no tourism strategy had been proposed before.
The journey of rediscovery and conservation begins here—with this thesis.
This is not merely a design proposal—it is the first step in bringing Kolakopa's lost narrative back into public consciousness. From historical silence to experiential storytelling, the transformation starts from this work.

SITE HISTORY

The name Nawabganj carries with it a legacy of history. While the Nawabs did not reside in the area directly, they administered trade and revenue activities here through their appointed officials. Due to its fertile lands and river routes, the region became an important hub for commerce, and a "ganj" or market center gradually developed under Nawabi influence. After the fall of the Nawabs following the Battle of Plassey, former associates, local businessmen, and affluent individuals began managing their own enterprises under British rule. Many of them acquired zamindari (landlord) rights from the British and started collecting taxes from farmers. Over time, these zamindars became wealthy and began showcasing their social status by constructing magnificent palaces, revenue offices (kachari ghars), temples, and other architectural landmarks. Thus, Nawabganj evolved from a trade-based settlement under Nawabi oversight into a center of aristocratic zamindari culture and heritage.
In 18th century The landlords slowly started building houses to live here to collect taxes and run the business. The main landlord was Marwari and he run his business with pan, betel nut, oil, salt etc. He started hiring people when he needed people to help run the business and they started build building to stay. They use the Ichamoti river to handle goods. That is the river which was connected with business. When the war started in 1947 Gradually they were tortured and at one point they started going to India. Many persons are leave and many person are stay. Borjon Roy had 5 sons and he build 5 buildings for them. Now there 52--55 buildings are visible and using different purpose from 96 buildings. A few buildings are for residential, a few are commercial. Some of these houses are very famous and Kokil Peri is one of them. Landlord Borjon Roy ( Sudorsan Roy ) build the building at 18 century. And now the building is known as Kokil Peri jamidar bari. Radha Raman Roy got this house among 5 sons of Borjon Roy. Radha Romon Roy named the house Kokil Peri after her parents and build a school 1936 with same name.

Design Idea/Concepts

When we visit a heritage site, we often walk past decaying walls, arches, and silent corridors. We admire their form but fail to understand their soul. The stones stand still, but their stories remain unheard. This project challenges that silence.

In this design, architecture becomes a storyteller. Every building doesn’t just exist—it speaks. Through AR and VR technology, the past is reconstructed; forgotten events are reimagined. Tourists will no longer be silent spectators—they will see, hear, and emotionally experience what once was.
A visitor will walk into a space and witness a zamindar’s arrival, a performance in the courtyard, or a healing ritual at the palace pharmacy—not through books or signboards, but through immersive presence.
This emotional engagement is deepened through role-playing, where visitors step into characters from the past. Instead of asking “What was this building for?” they will feel what it meant.
This project isn’t just about conserving buildings—it is about reviving memory, humanizing history, and creating connection. Each ruin becomes a living chapter, each space a portal through time.

Study before design,
Conservation method in Bangladesh and UNESCO.
Design approaches for heritage site.

Program Development
Adaptive reuse method and subtractive approach choosen to desing/development in this site.

Program Overview

The revitalization of Kokil Peri Palace and its surrounding heritage buildings focuses on adaptive reuse to create a multifaceted tourist destination. The program balances conservation with modern functionality, ensuring that each building serves a purpose that respects its historic identity while providing meaningful visitor experiences.

Underground Facilities

Entry Lobby and Ticketing Area: Visitors enter through an underground central point, allowing controlled access and setting a reflective tone for the heritage experience ahead.
Multipurpose Hall: Designed for events, exhibitions, and cultural performances, enhancing the site’s flexibility.
Circulation Routes: Clear pedestrian pathways guide visitors through different heritage zones seamlessly.
Rest zone, Snacks corner.


Public Amenities and Landscape
Plaza: Open gathering space for visitors and events.
Ghat Development on Ponds: Enhances water-edge access, aesthetic and recreational use.
Kids’ Play Zone: Encourages family engagement with heritage in a playful setting.
Fishing Zone: Recreational area preserving traditional activities.
Open-Air Multipurpose Theater: Venue for cultural shows, presentations, and community gatherings.

Zoning Strategy
The site is divided into zones to optimize visitor flow and experience:
Entry Zone (Underground): Controlled ticketing and orientation.
Interactive Heritage Zone: AR/VR, Role-Playing, and Museum located near the palace core.
Service and Support Zone: Administrative, medical, and guest accommodation buildings.
Public Recreation Zone: Plaza, ghats, play and fishing areas dispersed to encourage exploration
Commercial Zone: Shops and exhibition halls supporting local economy.


Conclusion

This thesis aimed to revitalize the Kokil Peri Palace and its surrounding heritage structures in Kolakopa through architectural conservation, adaptive reuse, and immersive storytelling. By understanding the site's historical, social, and spatial values, the project identified opportunities to transform it into a living heritage environment—not only to preserve the past but also to make it meaningful in the present.
The design process focused on integrating technological tools (AR/VR) and experiential features (role-playing zones) to enhance visitor engagement. Each existing structure was thoughtfully assigned a new function, ranging from museums and exhibition halls to restaurants and guest houses, ensuring that the site remains active, accessible, and sustainable.

Heritage is not just about protecting old walls—it is about keeping stories alive. Through thoughtful design, this thesis reimagines the Kokil Peri Palace not as a relic of the past, but as a living space that educates, inspires, and connects people to their cultural roots.
The project stands as a call to action: that with creativity, respect, and vision, we can conserve not only architecture but identity.

2025

2025

- AR/VR experiences to known History of each Building.
- Adaptive reuse.
- Underground zone: Entry, Ticketing, Multipurpose Hall, Toilet, locker room.
- Public Features: Plaza, Ghat, Fishing Zone, Kids Play Area, Amphitheater.
- Heritage trail for other Buildings.

The buildings uses list is attached.

Student: Md Maraj Mahmud

Studio Teacher
Jubaida Gulshan Ara

Supervisor
Latifa Sultana

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Md Maraj Mahmud

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