World Architecture Awards 10+5+X Submissions

Tehran Visual Arts Center
This project focuses on the interactive design of the Tehran Visual Arts Center, recognizing the profound impact of art on human life. As a medium for expressing emotions and ideas, art holds a significant place in human culture and history. The spectrum of artistic interaction extends from merely viewing an artwork to actively creating it. Given the absence of such a center in Tehran, this project aims to enhance the role of art in society and fulfill the needs of artists and art enthusiasts.

Interactive Architecture: Redefining Spatial Experience
The approach of this project is interactive architecture. The definition of interactive architecture has evolved over time, and past examples have primarily been practices to bring architecture to life rather than leave it as a lifeless structure. However, the significance of interactive architecture lies in its ability to transform the very essence of built spaces. Instead of being static and unchangeable, architecture becomes a dynamic entity where user interaction with the environment is integral to its identity. This unique experience extends beyond mere functionality and architectural affordances, offering a more immersive and engaging spatial experience. Designing an art center with an interactive architectural approach presents an opportunity to redefine the "lived experience."

To achieve a high level of interaction on a larger scale, architectural elements—referred to as “threads”—were introduced in the design. The main idea of the design is inspired by the concept of intertwined and moving lines, which metaphorically represent the dynamic act of art and communication within an architectural structure. The entire structure of this project is defined by these threads. By tying them together, masses are formed. These
threads are defined in two categories:
1. Fixed Threads: Serving as the architectural skin.
2. Movable Threads (Flaps): The interactive elements of the project that move linearly along a rail system.

Flap Design and Structural Features
The movable threads (flaps) are reinforced using metal profiles for structural strength. To reduce weight and enhance insulation, their interior is filled with polystyrene foam. The external surface is covered with embossed aluminum sheets, providing both visual aesthetics and high durability against environmental factors. These flaps can only move along designated rails, allowing the architecture to adapt and transform dynamically.

Functional Zoning Based on Artistic Needs
The spatial organization of the center is based on functional requirements of artistic activities. Since visual arts centers often accommodate a diverse range of activities, the architectural masses have been arranged to ensure optimal placement for each activity. For example, Art studios are positioned at the highest points of the site’s topography. This elevated location offers a sense of solitude and tranquility, providing artists with a focused environment for creativity.

The landscape design of this project is a natural extension of the architectural threads on the site. as these threads reach the ground, they detach from the main structure and, through material transitions, transform into walkways, seating platforms, and green spaces that integrate seamlessly with the site's natural topography.

Circulation and Spatial Experience‍
The circulation paths within the project are designed to offer users a continuously evolving spatial experience, transitioning between enclosed, semi-open, and open spaces. This fluid movement enhances the connection between interior and exterior environments while fostering an ongoing dialogue between users and architecture. As visitors navigate through the center, they encounter varying layers of light, shadow, and spatial depth, enriching their overall experience.

Interactive Features: Merging Architecture with Technology
One of the most significant aspects of this project is the use of interactive technologies to create a dynamic spatial experience.

• Environmental sound sensors are embedded throughout the complex to capture and analyze ambient sounds in real-time.
• These sensors collect audio data, which is then processed using Digital Signal Processing (DSP) algorithms to generate a dynamic rhythm.
• This rhythm is analyzed over a one-hour timeframe and transmitted as input to the flap movement system.
• The flaps adjust their movement in direct response to these rhythmic variations, creating a dynamic and responsive architectural form.

As a result, the project's skyline continuously transforms throughout the day, creating an ever-changing silhouette on the urban horizon which itself expresses the building's interaction with the environment.


General Information
Project Name: The Resonance
Location: Tehran, Iran
Project Type: Visual Arts Center
Design Approach: Interactive Architecture
Total Site Area: 14,000 m²
Total Built Area (Closed Area): ~3,480 m²
-Functional Spaces
Educational Spaces:
Practical Workshops
Theoretical Classrooms
Art Studios
Digital Arts Lab
Public Spaces:
Lobby
Café & Restaurant
Art Shop
Multipurpose Hall
Support Spaces:
Art Storage Room
Equipment & Maintenance Room
Administrative Spaces:
Management & Staff Offices
Meeting Room
Staff Area
Service Spaces:
Restrooms
Mechanical Room
Parking Area
-Architectural & Structural Details
Main Structural System: Steel frame with reinforced concrete foundations
Primary Materials:
Fixed Threads (Façade & Structure): Steel, glass, and concrete
Movable Threads (Flaps):
-Technology & Interactive Features
Sensor System: Environmental sound sensors integrated into the structure
Data Processing: Digital Signal Processing (DSP) algorithms for real-time analysis
Kinetic Mechanism: Linear rail system for controlled movement of architectural flaps


Designer: Kiana Alasty
Supervisor: Dr. Saeed Haghir

"Umbral Hogar San Mauricio; Bridge of Life" is a project that seeks to transform an existing foundation into a sustainable and inclusive architectural space. Based on a main concept: Relational Cohesion Architecture, the design integrates formation, recreation, and production into a cohesive programmatic system that fosters community exchange. At its core, the project redefines the threshold as a transition space—both symbolic and functional—that connects education, work, and leisure in a seamless flow.

The design is rooted in modularity, flexibility, and sustainability, allowing spaces to adapt to changing needs while reinforcing a sense of belonging. The intervention proposes the creation of productive spaces such as greenhouses, workshops, and community markets to ensure economic self-sufficiency. Simultaneously, the public interaction areas promote knowledge-sharing, social inclusion, and urban integration.

The site’s strategic location at the foothills of the Conejera Hill, in Bogotá, offers an opportunity to merge architecture with the natural environment. Through carefully planned landscaping and ecological strategies, the project enhances the foundation’s relationship with its surroundings, creating spaces that are not only functional but also deeply connected to nature.

Additionally, the use of lightweight and prefabricated materials ensures that the intervention is cost-effective and can be replicated in similar contexts. The architectural program includes spaces for education, arts, sports, and community engagement, reinforcing a holistic approach to well-being.

Ultimately, Umbral Hogar San Mauricio serves as a bridge between the foundation and the community, addressing social and spatial disconnections through an architectural language that is inclusive, dynamic, and deeply human-centered.

Location: San José de Bavaria, Bogotá, Colombia

Site Area: Approx. 25,000m²

Architectural Concept: Relational Cohesion Architecture, modular and flexible design

Main Program Components:

Education: Classrooms, workshops, multipurpose learning spaces
Production: Greenhouses, market areas, product distribution points
Community Spaces: Public plazas, shared work areas, recreational zones

Structural System:

Wooden and steel modular frames
Prefabricated connections for easy assembly and disassembly
Seismic-resistant design

Materials:

Wood: Certified timber for main structures and interior finishes
Steel: Modular joints ensuring durability and adaptability
Recycled Panels & Concrete: Used for walls and flooring to enhance thermal performance
Roofing: Sloped structures designed for rainwater harvesting

Sustainability Strategies:

Passive Design: Maximized use of natural light and cross-ventilation
Water Management: Rainwater collection and filtration systems
Energy Efficiency: Solar panels and energy-saving appliances
Productive Landscaping: Greenhouses, urban gardens, and composting areas

Community & Economic Impact:

Aims to generate income through product sales and event hosting
Provides educational and cultural opportunities for local families
Strengthens social ties by creating spaces for collaboration and knowledge exchange

The project is designed to be scalable and adaptable, allowing future expansions and modifications to accommodate new needs. By merging architecture with social responsibility, Umbral Hogar San Mauricio becomes a replicable model for self-sustaining, community-driven development.
Architect & Researcher: Felipe Perea Baptiste

Advisors: Juanita Botero, Camilo Salazar, Raúl Acosta

Institution: Faculty of Architecture, Universidad de los Andes

Collaborators: Local community members, Fundación Hogar San Mauricio

Support & Contributions: Mentors, professors, family, and friends who provided guidance and feedback throughout the project development

This project is the result of a collective effort, where academic research, community engagement, and architectural innovation converge to create a sustainable and socially impactful space.

Abandoned quarries offer considerable potential as tourist attractions, as they highlight the historical significance of the materials used in local construction and stand as cultural landmarks. In the case of Niladri Lake, located in the northeastern part of Bangladesh near the Indian border, it is a quarry lake formed from an abandoned limestone quarry in the Takerghat region of Sunamganj. Originally a site of industrial limestone extraction, the area played a significant role in the local and national economies, with limestone being mined for decades to supply the Assam Bengal Cement Factory (now Chhatak Cement Factory). By 1961, geological surveys revealed significant limestone deposits in Takerghat, estimating around 132.5 million metric tons across five drilled pits, and by 1980, over 1.66 million metric tons of limestone had been extracted through open-pit mining. After mining ceased, the abandoned quarry gradually filled with water from rainfall and underground sources, eventually forming Niladri Lake. To understand Niladri Lake's historical, geological, and ecological significance, the project follows its evolution from an industrial site to a restored natural body of water.
The project aims to retain the true geological narrative of the site within the form of an experience center and focus on the rejuvenation and regeneration of these abandoned lands to restore the lost balance with nature and its surrounding context. The lake, created from an abandoned limestone quarry, has become a significant tourism destination known for its clear blue waters and scenic surroundings.The concept of open-pit mining inspires the design and the methodical removal of earth involves integrating the essence of mining techniques into the architectural and spatial design. The experience center can feature a terraced layout by mimicking the stepped nature of open-pit mines. Through thoughtful conservation strategies, the Takerghat quarry can serve as a powerful reminder of the region’s history while contributing to its future as a vibrant tourism destination.
The transformation of the abandoned limestone quarry in Takerghat, into a thriving tourism hub is not just an innovative development project but also a significant step towards sustainable economic growth and environmental conservation. The reclamation of the limestone quarry focused on restoring the natural ecosystem while integrating sustainable practices. Engaging local communities has been pivotal to the project's success. The involvement of locals in the planning and development stages has ensured that the project meets the needs of those most affected by the quarry's previous operations. The creation of job opportunities, particularly in the tourism and hospitality sectors, has provided economic stability and improved the quality of life for residents. By incorporating elements of Takerghat's rich cultural heritage and history into the tourism hub, the project has fostered a sense of pride and ownership among the local population
Exhibition galleries showcasing the variations of limestone and the equipment used in limestone mining can offer a fascinating and educational experience. Provides an overview of limestone, its geological formation, and its importance in various industries. Through thoughtful conservation strategies, the Takerghat quarry can serve as a powerful reminder of the region’s history while contributing to its future as a vibrant tourism destination. As the project continues to evolve, it will be crucial to uphold the principles of sustainability and inclusivity to ensure its long-term success and benefit to the region.


The Experience Centre is strategically positioned at the core of the plan, seamlessly blending into the natural landscape. The Chora, a significant watercourse, is preserved in its original flow, subtly shaping the architecture as it traverses through the center. This integration ensures a dynamic and organic form, maintaining harmony between the built environment and nature.
Designed with subterranean architecture, the center immerses visitors in the raw essence of a limestone quarry. The use of concrete and limestone textures replicates the rugged quality of the original excavation site, making visitors feel as though they are stepping into an active quarry. Carefully placed light wells cast dramatic shadows and illuminate geological formations, enhancing the underground experience. To deepen realism, background sounds of mining activities—the rhythmic clinking of tools, the rumble of carts, and distant echoes—create an immersive atmosphere, transporting visitors to the past.
The exhibition galleries narrate the site’s evolution, illustrating geological transformations, landscape variations, and the history of limestone extraction in Takerghat. Interactive displays highlight the daily lives, tools, and techniques of miners, offering a tangible connection to the region’s industrial past. A specially designed tunnel resembling a natural limestone cave features textured walls adorned with stalactites and stalagmites, reinforcing the authenticity of the experience.
In alignment with the site’s topography, accommodation facilities are carefully positioned, respecting the natural contours of the land. This approach minimizes environmental disruption while offering visitors a tranquil stay immersed in the quarry landscape. Additionally, waste soil from the excavation is repurposed into sculpted spoil mounds, blending seamlessly with the terrain and enhancing the site's visual appeal. By prioritizing ecological preservation, sensory immersion, and architectural integration, the Experience Centre creates a multi-sensory journey through Takerghat’s mining heritage, offering visitors a profound connection to the site’s history while ensuring sustainable development.

Name: Upama Talukder
Studio Masters: Dr. Sajal Chowdhury, Rezuana Islam
Supervisor: Pranjib Paul

Mohini Mill, established in 1908 by Mohini Mohon Chakraborty, was once the largest textile mill in Asia and a symbol of the industrial strength of the Swadeshi movement. Unfortunately, it closed down due to several reasons and has since fallen into neglect, becoming a site adorned with rust, dust, and overgrowth.
Urban sprawl has left little breathing space for the citizens of Kushtia, and the expansive grounds of Mohini Mill have suffered from encroachment and neglect. The proposed master plan aims to restore this historic site, preserving its legacy while giving it a new purpose. The vision includes transforming the mill into a center for culture, education, and small businesses that will benefit the senior citizens of Mill Para. The surrounding open spaces will be revitalized for social gatherings and relaxation. This plan presents an opportunity to breathe new life into Kushtia, honoring its past while shaping a brighter future.
Preservation & Renovation_ Roadways, Boundary wall & Mill Extension
The existing road will be maintained as a pedestrian entrance. Additionally, the boundary wall and guard room will be preserved for their historical significance. The renovation plan aims to reimagine the space by seamlessly connecting an administrative block, the revived Sandhya Samiti Theater, and a multi-purpose hall. A striking scaffolding pathway will link the administrative block and the theater, guiding visitors to a vibrant central plaza for community engagement.
Restoration_ Chimney & Waterbody
To restore the chimney to its original height, four large columns will be designed to symbolize heritage and pride. A bird’s-eye viewpoint will provide panoramic views of the site’s evolution. A retaining wall will preserve the water body, with a floating walkway allowing visitors to engage with its history.
Adaptive Reuse_ Spinning & Weaving Mills, Warehouses
The external warehouse will feature a souvenir shop showcasing handmade crafts from Kushtia. A new arched pathway will be added, offering rare books on the mill's history for reading.
The Mill Museum will repurpose an old spinning mill and substation, displaying historic machinery on the ground floor. A soakable green central space will be integrated to evoke feelings of the abandoned mill while gradually blending in nature. A new floor will showcase sculptures that narrate the mill's vibrant history through a timeline.
The internal warehouse is proposed to serve as a sculpture workshop for sculptors and their students, while the carding mill will become a workshop for painters and their students.
To honor the emotions of the senior citizens of Mill Para, a handloom appreciation center will be established in the remaining weaving mill, combining heritage and design with a weaving workshop and an exhibition space for showcasing finished handloom products. An open-air courtyard and elevated arched pathways will be included in the design, creating seamless connections between spaces. Sky blue and green glass windows will symbolize hope, enriching the visitor experience and celebrating local weaving traditions with a modern touch.

Instead of creating a landscape that reflects a "frozen image of past culture and economy," the project aims to offer a journey that blends aesthetics, emotional connections, and modern facilities. By preserving and utilizing the industrial remains of Mohini Mill, we can enhance the social lives of the community while celebrating its rich heritage. This initiative stands as a commitment to both honoring Kushtia's history and ensuring its future growth and vitality.


Context:
The magnificent Mohini Mills in the Kushtia area are a century-old edifice that were formerly known for producing some of the finest fabrics without any flaws. It was one of the largest Textile mills in Asia, which was strength for Bengalese in Swadeshi movement, created industrial era in Bengal also created a new society a new culture, has now been totally abandoned.

Aim and Objectives:
Providing a pathway to connect past and present at the same time, respecting the history of the site to develop a new kind of culture with new functions and opportunities for enriching environmental, economic and social life.
Objectives:

• To provide a historical museum
• To provide e workshop for Artist and Handloom fabrics
• To provide public amenities
• To provide rentable shop
• To provide information other cultures that grown up in other site of Kushtia


Significance, Scope and Definition:
Abandoned Mohini Mill gradually ruining and with this vibrant past continuously disappearing. Appropriate reuse with new functions capable to take away from the way of death and reviving its vibrant past.
• Heritage site and infrastructure with historical significance.
• Economic conditions and development, impacts on social and cultural aspect.
• Community needs.
• Environment and climatic context.

Name- Papon Datta
Studio- X(Thesis)
Studio Master- Ar. Kanu Kumar Das; Shaila Sharmin;
Supervisor- Sarah Binte Haque

Located on the former site of Yalıncıoğlu House, between Kültürpark Montro Gate and Cumhuriyet Square, Urban Grove is a library that merges urban vibrancy with natural serenity. The design responds to its surroundings by integrating the dense tree canopy of Kültürpark and the high pedestrian activity of Sevgi Yolu, creating a space where city life and nature coexist harmoniously.

To enhance user experience and mitigate urban stressors, the library is set back from the main road, forming a buffer zone that reduces noise and heat while generating a welcoming public space at the entrance. Additionally, the structure is lowered by 4 meters, minimizing exposure to external environmental conditions and improving thermal comfort within the library’s core spaces.

Inspired by the organic forms and functionality of trees, the design embodies a living canopy within the cityscape. The structural framework represents tree bark and branches, while the roofscape mirrors a grove’s foliage, composed of rectangular prisms at varying heights. These volumes, alongside strategically placed trees, reduce solar radiation from 393 kWh/m² to 220 kWh/m², balancing energy efficiency with a dynamic, sculptural aesthetic.

A hexagonal and triangular structural system reinforces the organic concept, extending into slender columnar supports that resemble tree trunks. The transparent glass facades enhance visual permeability, maintaining a seamless connection between the library interior and the surrounding urban landscape. Additionally, kinetic solar panels respond to sunlight conditions throughout the day, optimizing daylight control and energy consumption, further aligning with the project's sustainable ethos.

By intertwining functionality, sustainability, and biomimetic design, Urban Grove emerges as a community-driven knowledge hub, fostering an environment where learning and nature intertwine. It offers an open, adaptable, and engaging public space, redefining the contemporary library experience as a place where people gather, reflect, and connect with both knowledge and the natural world.

Project Name: Urban Grove
Location: İzmir, Türkiye
Site: Between İzmir Kültürpark Montro Gate and Cumhuriyet Square
Instructor: Berk EKİCİ
Teaching Assistant: Ilgın Çataroğlu
Students: Yiğit Karaşahin, Burak Kınır