Chinese architecture studio AtelierTree has wrapped an office interior with white-washed, metallic and sharp-cut elements in Beijing to provide a "sense of technology".

Called Cyber White Garden, the 800-square-metre office interiors blend the notion of the ancient and the modern in a single medium. according to the architects, by now, for creative agencies' office spaces as reported, cases boasting "future, technology and digital" by dizzying forms have been almost out of fashion. 

By contrast, AtelierTree has created the "Cyber White Garden" which comprises a single white-washed, sharp-cut and at-hand material exerts a novel "sense of technology".

Innovation is not exactly only visual aesthetics, and right in this sense AtelierTree aptly takes full use of the spatial characteristics of the site and integrates the traditional garden experience therein, presenting a "Cyber White Garden" blending the ancient and the modern.

"Cyber" doesn't necessarily mean "punk"

Once transliterated into Chinese, "cyber" has become a hottest culture as embodying the information age and high-tech future bestowed by endless films and literary works. However, in AtelierTree's opinion, "cyber" doesn't necessarily mean "punk".

"In the development of the times, 'cyber' addresses a symbiosis that intertwines technology and humanity," introduces AtelierTree their interpretation of human concern by pure white as an anecdote to darkness and neon. The very inspiration of combining technology and humanistic tradition comes from an active dialogue with the site towards full realization of the owner's quest.

Engaged with advertising, film and art besides media, the client aspires for a simplistic, clean, practical and warm office space within a limited budget. 

"We hope to accommodate endless possibilities into the simplest and purest," said Casen Chiong, founder of AtelierTree: the pure white color presents all inspirations like a timeless canvas. 

Creating A "Garden" Experience

While the site was so regular as restricted to a symmetrical central axis, AtelierTree cleverly transported the traditional garden experience into the spatial sequence. 

"We hope, by key-sculpting and overall-organizing the public space nodes, the user of everyday may subtly find her or himself being 'visiting a garden," said Casen Chiong.

So far as the regular site goes, the designer identified and organized the spaces by distributing each office function along the central axis, while interspersing several spatial nodes in a meandering progression that evokes the imagery of the garden space.

Literati's Habitat

As the Landscape Vestibule

To guide people deeper in, a pure-white spiral-ascending installation is placed there that evokes an abstract bamboo groove by vertical lines intersected with different materials, and ushers further by the directional ceiling. It's a crafty response to the four immovable doorways at all its sides, especially one unfavorably opening the bathroom directly to the main office.

So the installation, being placed in the center, prevents the embarrassing confrontation while forming a spatial node as if a rockery in the garden, sets up a memorable reference point while converging the space. The light material feels breathable and the dynamic spiral diverges the otherwise confronting and interlocking flows of people.

Right adjacent to the landscape vestibule is the multi-functional reception room featured with staggering corrugated metal and cream poly-carbonate panels. Folding doors allow the space to be opened and closed, flexibly accommodating both daily receptions and timely salon gatherings.

Floating Pavilion

As the Waiting & Reception Area

Once entering from the main entrance, one will find the main office via doorway on the right of the landscape vestibule. Beyond the opening left by the load-bearing wall, the spatial sequence makes its prelude with a pavilion as if to shelter the visitor into a garden.

The disappearing "pavilion posts" blends the space into its surroundings, leaving the luminous roof float over, extend upward and subtly define the place. Once into it and looking back, one will find the landscape vestibule "framing a view" again, of the installation within the doorway, realizing the varying scenery with continuing motion in a garden.

Eaves Garden

As A Public veranda

Behind the reception desk is a white translucent light box placed in the central axis, flanked with office areas on both sides that share it as the meeting room.

"If totally open, a regular-planned office will be devoid of organization and layering. A box placed in the central axis, being translucent instead of completely closed, will bathe us in the natural light," introduced AtelierTree.

The inserted "light box" as a meeting room thus functionally divides there into two office areas with a convergence point in the middle. Close around the conference room, formed a circular circulation highlighted with the garden imagery right overhead, namely a continuing eaves that vibrates with the open office as if the veranda in a garden.

On one side is the office, on the other the light-transmitting wall that separates the meeting space, while the floating eaves defines the circulation area, together forming a hierarchy of dynamic and static spaces that relieves one another into scenery during the user's motion around.

Cave-cosmos

As the Connection

A doorway-style corridor connects the inner and outer office areas.

The original load-bearing wall, a masonry structure, restricts the space but also contributes to a new inspiration, for the client's needs have led to separated various functional spaces, now well connected into a "cave-cosmos" evocative of the garden. The elongated cave-like corridor connects the two office areas - "a new garden unfolds in the peach-blossom springs".

"This cave-like corridor feels as if walking through under the secluded cave of a rockery in a garden. Meanwhile the carefully arranged natural light shafts on both sides interwoven with different levels of artificial lights also make the space befit displaying photographic works and artistic creations," so introduces AtelierTree.

Communal Courtyard

As A Public Venue

Passing through the "cavernous" corridor, one reaches a relatively small office area. Unlike the outer large office area being open and not without partition, the inner office area is divided into smaller units with an emphasis on connectivity.

The meeting room in the center continues the central axis of the space while divides the space with transparent glass, so as to strengthen the overall visual connection by penetration of sight on both sides. The veranda around it with overhanging eaves, matched with transparent wall, is an aesthetic incarnation of the lattice-windows in a garden, simply as the poem goes, "how deep is the deep, deep courtyard", the seemingly blocked, actually continued multi-layered scenery of the traditional garden.

While delineating a cyber interface with uniquer form and materials, AtelierTree also infuses a "tour of the garden" with subtly-organized spaces, their latest practice by now that attempts on blending tradition with future. In the meantime of controlling the cost reasonably, an efficient collaborative office space comes into being with humanistic care, visualizing the possibility of brand new expression of office spaces in dialogue with the tradition, in the very present prevailing with futuristic and technological sense.

Concept diagram 

Project facts

Project Name: Cyber White Garden - Office space design for an advertising & media firm

Designer: AtelierTree

Lead Architect: Casen Chiong

Architect: Huang Xiaokun, Zhai Shuoguo

Type: Office space, interior & installation

Area: 800 square meters

Main materials: polycarbonate panel (Bayer), electro-atomized glass, micro-cement (SHMABEI), polypropylene carpet

Client: Beijing Big Door Interactive Technology Co. 

Project Location: No.5 Jiangtai Road, Chaoyang District, Beijing

Design Period: Jan.18, 2021 - Mar.18, 2021

Completion date: May 2021

Constructor: Beijing Giant Ant Architecture & Decoration Co. 

Lighting Consultant: Wang Honglei

All images © UK-Studio

All drawings © AtelierTree

> via AtelierTree