United States Courthouse has received 2015 AIA Institute Honor Awards for Architecture and jury's comment on the project:

This is a stunning project. The clarity of the building scheme and the way it relates to the surrounding context are impressive in a modern civic landmark.

The skin is extraordinary, with the patterns and density of louvers responding to the solar orientation. Mirror-finished apertures frame the entry and views of the city and mountains beyond.

Every space was done with care, simplicity, and great detail, emphasizing the importance of natural light. In contrast to the silvery exterior, the wood-clad interior is beautifully detailed and warm, including a monumental lobby stair.

The design of the new Salt Lake City courthouse resulted from a search for a physical symbol to express the American system of justice—the form had to be strong, iconic, transparent, and egalitarian. The cubic massing of this courthouse captures all of these elements in a recognizable form that projects grounded dignity and substantive order and presents an equal face to all sides.

The new building stands respectfully beside the existing Frank E. Moss Courthouse (1905; additions, 1912 and 1932), a Classical Revival building with its own iconic presence. The two buildings are joined by an elevated landscaped garden, and together they establish a distinct federal precinct and architectural anchor at the southwest perimeter of the downtown.

The 400,000-square-foot building contains 10 courtrooms, 14 judges’ chamber suites, administrative Court Clerk offices, the U.S. Marshals Service, U.S. Probation, and other federal agencies. Parking for both courthouses is on two underground levels. The building’s clear glass and anodized aluminum skin admits abundant natural daylight to the interior and provides views from within. Vertical aluminum sunscreens on the exterior temper this transparency with a variable protective veil that modulates quietly with the passing of the sun. Vertical fluting of these delicate elements refers subtly back to the classical orders of the Frank E. Moss Courthouse and to the broader traditions of the judiciary.

In its interior planning, this LEED Gold® building celebrates daylight as an intrinsic quality of both public and individual space. A 10-story sky-lit atrium extends the height of the building and brings natural daylight to the centrally located public elevator lobbies. 

The atrium also features a 10-story suspended sculptural art installation by the American artist James Carpenter. The primary functions of the building—the courtrooms—occupy the four corners of the building, bathed in filtered natural daylight, bringing clarity and context to the proceedings within.

Photography © Scott Frances

Project Facts

Acoustics:Arup 

Artwork:James Carpenter Design Associates 

Building Enclosure:James Carpenter Design Associates 

Elevators:Lerch Bates Associates 

Engineer – Civil:McNeil Engineering 

Engineering – Electrical:BNA Consulting Engineers 

Engineer – Mechanical:Van Boerum & Frank Associates 

Engineering – Structural:Reaveley Engineers & Associates 

General Contractor:Okland Construction 

Graphics:Piscatello Design Centre 

Landscape Architect:E. A. Lyman Landscape Architects 

LEED Consultant:CRSA Architecture 

Lighting Design:Fisher Marantz Stone 

Pool Design:Water Design Inc.

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