Morocco is a country of hills with a rich culture and historical traditions, bordering various countries, which has cultural and symbolic influences, especially in architecture.On the other hand, the Mediterranean climate has a profound effect on the form of its buildings.The etymology of Morocco can be defined as follows. "The land of sunsets". They believe that nature is a blessing from God and must be protected .Nature is so important to Morocco that it has chosen several forces of nature such as the Musa bird, the Barbary lion, the rose, the argan tree and the peak of Jebel Toubkal as national symbols. We also went to nature and the project site in the design, and for this reason, paying attention to natural elements, views and climate was given priority for the design.The site is located on a hillside with a gentle slope towards the sea. The main concept of the design is derived from the project site. A building rising from the earth, formed from natural earth with gentle curves. The fluid forms are formed in separate but continuous volumes. The form of the buildings is taken from the surrounding hills and is a symbol of the spiral and inspired by the paintings of Najia Mehadji (the painting of the line of hope and the pleated). She is a French-Moroccan artist.In the painting of the line of hope, the fluid movements of the free flow are the anthem of life and freedom. The spirit of travel is present in every gesture of her painting and the project also includes spaces for travel and passage.In her paintings, the expressive color gradients represent a wave or expansion. The undulating movements of the forms are inspired by these designs that rise from the soil and, after reaching a peak, settle back down to the soil in the middle. The project is a border between tradition and modernity. Like the designs of Najia Mehadji,who uses her dual culture to produce art that blurs boundaries and blends Western and Eastern influences. In honor of this inspiration, the project was named the line of life.On the other hand, in traditional Morocco, people use symbols to teach important lessons and wisdom from generation to generation. Two common patterns, the wave and the spiral, were the answer to our desired form. The wave pattern represents energy and the connection between different parts of life. The project also includes different sections and uses, each of which meets a part of human needs. The spiral pattern also represents the movement of life, without beginning or end. It shows that everything continues forever. The spiral pattern comes from ancient cultures in North Africa, especially the Berber tribes in Morocco. They believed that the spiral represented the rays of the sun that move across the sky every day. The building also blends with nature and the peaks and valleys of the arcs evoke the movement of the sun across the sky.
2025
2025
Morocco is a country of hills with a rich culture and historical traditions, bordering various countries, which has cultural and symbolic influences, especially in architecture.On the other hand, the Mediterranean climate has a profound effect on the form of its buildings.The etymology of Morocco can be defined as follows. "The land of sunsets". They believe that nature is a blessing from God and must be protected .Nature is so important to Morocco that it has chosen several forces of nature such as the Musa bird, the Barbary lion, the rose, the argan tree and the peak of Jebel Toubkal as national symbols. We also went to nature and the project site in the design, and for this reason, paying attention to natural elements, views and climate was given priority for the design.The site is located on a hillside with a gentle slope towards the sea. The main concept of the design is derived from the project site. A building rising from the earth, formed from natural earth with gentle curves. The fluid forms are formed in separate but continuous volumes. The form of the buildings is taken from the surrounding hills and is a symbol of the spiral and inspired by the paintings of Najia Mehadji (the painting of the line of hope and the pleated). She is a French-Moroccan artist.In the painting of the line of hope, the fluid movements of the free flow are the anthem of life and freedom. The spirit of travel is present in every gesture of her painting and the project also includes spaces for travel and passage.In her paintings, the expressive color gradients represent a wave or expansion. The undulating movements of the forms are inspired by these designs that rise from the soil and, after reaching a peak, settle back down to the soil in the middle. The project is a border between tradition and modernity. Like the designs of Najia Mehadji,who uses her dual culture to produce art that blurs boundaries and blends Western and Eastern influences. In honor of this inspiration, the project was named the line of life.On the other hand, in traditional Morocco, people use symbols to teach important lessons and wisdom from generation to generation. Two common patterns, the wave and the spiral, were the answer to our desired form. The wave pattern represents energy and the connection between different parts of life. The project also includes different sections and uses, each of which meets a part of human needs. The spiral pattern also represents the movement of life, without beginning or end. It shows that everything continues forever. The spiral pattern comes from ancient cultures in North Africa, especially the Berber tribes in Morocco. They believed that the spiral represented the rays of the sun that move across the sky every day. The building also blends with nature and the peaks and valleys of the arcs evoke the movement of the sun across the sky.
maryam salami
ali naghdi
nadia mahmodi