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Oslo Architecture Triennale 2019 announces its program for "Enough: The Architecture of Degrowth"
Norway Architecture News - May 23, 2019 - 01:02 3163 views
The OAT 2019 Chief Curators are Interrobang, a trans-disciplinary architecture and engineering practice based in London. The team consists of British architect and writer Maria Smith; Canadian architect and educator Matthew Dalziel; British critic Phineas Harper; and Norwegian urban researcher and artist Cecilie Sachs Olsen.
Around the world campaigners, cities, and governments are declaring a state of emergency in response to accelerating global warming. Meanwhile systemic inequality continues to entrench deep divides between those who have far too little, and those who have far too much. In this unprecedented moment, an urgent question is cast into relief: how should architecture respond to a time of climate emergency and social division?
For the last two centuries, the engine of architectural production and the basis of societies around the world has been the pursuit of economic growth. The desire for infinite growth has forced aside common and ecological goals measuring acts of culture and community as mere bumps in GDP. Yet the limits to this paradigm have become abundantly clear. As equity, wellbeing and non-monetary measures of prosperity falter, rising sea temperatures, extreme weather and other indicators of climate breakdown converge on the conclusion that the days of growth’s predominance are running out.
OAT 2019 Chief curators. Image © OAT / Istvan Virag
Architecture is no exception. The promise of a meaningful life’s work harnessing the transformative power of design to mix beauty and social justice is deeply felt. Yet for many, our daily practice looks very different to the work we aspired to. The majority of urban practitioners are not the agents of social change they might have been, but cogs in a vast value-producing machine whose hunger for expansion is never abated. Homes have become vehicles of capital speculation, galleries have become billboards for attracting investment, streets have become the infrastructure of consumption, universities export enlightenment for profit.
In our bones we know that infinite economic growth is impossible. We know that money cannot buy happiness. We know that change is coming. Yet our professions continue to toil at the coalface of economic expansion cultivating consumption in pursuit of a prize that is never enough.
ENOUGH will respond to an era of climate emergency and social inequality by proposing alternatives to the unsustainable and unfair paradigm of growth. The festival will explore the architecture of Degrowth, an economy of shared plenty in which human and ecological flourishing matter most. It is time to call time on too much for the few and too little for the many.
Inspired by the old venues of Oslo, the core programme of the Oslo Architecture Triennale 2019 will inhabit and transform robust existing building fabric to create new institutions of Degrowth: the library, the theatre, the playground, and the academy.
The Library celebrates sharing, de-commodification, and democratisation of goods and ideas in a welcoming heart of a community.
The Theatre reveals the constructed-ness of our world that invites participants to question reality and actively explore generating alternatives.
The Playground initiates a deeper game of exploring and listening to the city reclaiming the streets as a site of joyful and thoughtful experimentation.
The Academy offers a platform for discussion and research to battle injustice and extraction.
Top image courtesy of OAT