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UNStudio designs interactive cinema complex with carved and tilted volumes in Paris

France Architecture News - Mar 01, 2018 - 06:28   25591 views

UNStudio designs interactive cinema complex with carved and tilted volumes in Paris

UNStudio has won a competition to design a new cinema complex with carved and tilted volumes that aim to present the most interactive cinema experience in a truly public way, which is being developed as part of BIG's masterplan for EuropaCity in Triangle de Gonesse, north of Paris, France.

Called Centre Culturel Dédié Au 7è Art, the new complex, composed of three interlocking volumes with different angles, is designed as a public space and a cultural laboratory that will feature a cinema, film centre and archive and serve as a catalyst for new artistic production. 

UNStudio designs interactive cinema complex with carved and tilted volumes in Paris

Following the announcement in 2017 of BIG’s masterplan for EuropaCity - a unique new tourism and leisure district in Greater Paris – a large scale competition was launched inviting proposals for 8 key buildings within the development. These include a concert hall, hotels, a contemporary circus and an exhibition hall.

Located on the Triangle de Gonesse, in a public development operated by Grand Paris Aménagement, EuropaCity is one of the emblematic projects of Greater Paris. 

UNStudio designs interactive cinema complex with carved and tilted volumes in Paris

This innovative project, with a private investment of 3.1 billion euros, is led by Immochan France and Dalian Wanda Group. Architectural diversity was a key objective of the EuropaCity masterplan. For the architectural competition innovation and sustainable development, along with architectural quality, diversity and creativity formed the main ambitions.

Aiming to create a new kind of cinema experience through its complex and open form, the new complex will embrace the "Cinéma en plain air" culture with an expanded program.

UNStudio designs interactive cinema complex with carved and tilted volumes in Paris

The new complex is designed as a cultural destination with an extensive and varied indoor and outdoor programme that celebrates the full experience of cinema in a truly public way. Going beyond the traditional cinema complex, in which the building functions primarily as a container for a ‘black box’ audience experience, the Centre Culturel is designed as both a public space and a cultural laboratory.

UNStudio designs interactive cinema complex with carved and tilted volumes in Paris

"Cinemas are the perfect example of concealed architecture. The cinema is the one type of building that becomes invisible once you step inside it. You spend up to two hours in a darkened room, immersed in the alternative space and time of the imagination…and then you leave," said Ben van Berkel, Founder / Principal Architect, UNStudio.

"This limited user experience of the cinema as a venue led to the key concept that drove our design: the desire to create a building that in its totality offers a much more extensive experience of cinema," he added.

The Centre Culturel building is thoughtfully embedded within the composition of BIG’s masterplan and its "rolling hills" concept, yet expresses its own strong and recognisable identity within this context. The building’s choice of facade material is inspired by large scale landscape sculptures and installations and benefits from the range of natural tones and colours found in weathered metal.

Three intertwined volumes emerge from the ground, whilst the surrounding landscape continues as a sloping green carpet atop the roof of the building. These rooftop public spaces not only provide outdoor screening areas, restaurants and cafes, but also offer 360 degree views and new vantage points towards the rest of EuropaCity and the skyline of Paris.

UNStudio designs interactive cinema complex with carved and tilted volumes in Paris

"For the design of the Centre Culturel we were inspired by the ‘Cinéma en plein air ‘ culture, and we wanted to  celebrate the art of film-making. We have created a building where you can both produce and enjoy film as a shared experience," added Ben van Berkel.

The plans are aiming to open the building for everyone to democratise the cinema culture in the widest sense. The design focuses on the idea of community whereby cinema becomes interactive, social and above all, accessible. 

"Visitors can happily go to a movie, but are also welcome to enjoy the roof top terraces and outdoor projections, the integrated multi-media art displays and the numerous social amenities that the complex has to offer," said UNStudio in the project brief.

UNStudio designs interactive cinema complex with carved and tilted volumes in Paris

Diagram of environmental components

In the design proposal, the three blocks of the building are organised according to film genre. There are three well-defined clusters housed within each of the three volumes. The blocks converge in the central space of the building that forms the foyer. From here visitors can access the cinema halls, whilst also catching a glimpse of the movie-making process on the level below, where the training and production studios are located.

UNStudio designs interactive cinema complex with carved and tilted volumes in Paris

Diagram of massing approach

An essential concern whilst designing the massing of the building was the need to avoid any adverse effect on daylight accessibility for the adjacent hotel.

The sloping of the Centre Culturel’s roof was therefore designed to achieve minimum overshadowing of the neighbouring building and thereby ensure that it can enjoy access to full natural daylight throughout the year. Further influence on the final design of the blocks was based on the output of sun and wind studies.

UNStudio designs interactive cinema complex with carved and tilted volumes in Paris

Diagram of program distribution

These studies led to the morphing of the carved and tilted volumes, in order to ensure the best possible comfort for the users by maximising the exposure of the sun decks and minimising wind impact through deflection. Perforated weathered steel façade elements are also strategically located along the facades to harness prevailing winds and provide natural ventilation for the indoor spaces.

UNStudio designs interactive cinema complex with carved and tilted volumes in Paris

Diagram of program distribution

UNStudio designs interactive cinema complex with carved and tilted volumes in Paris

Diagram of section

UNStudio designs interactive cinema complex with carved and tilted volumes in Paris

Diagram of wind direction informs the design

UNStudio designs interactive cinema complex with carved and tilted volumes in Paris

Preliminary sketch of Ben van Berkel

UNStudio designs interactive cinema complex with carved and tilted volumes in Paris

Ben van Berkel's sketch-2

UNStudio designs interactive cinema complex with carved and tilted volumes in Paris

Study models

Furthermore, thermal heat gain is minimised, CO2 emissions are reduced and rainwater is reused, while thick vegetation packages on the park roofs insulate the building against the biggest source of ceiling heat loss and mostly enclosed facades shelter the building from excessive heat gain.

Project facts

Project: EuropaCity Centre Culturel Dédié au 7ème Art, Grand Paris, France, 2017

Client: Immochan France and Dalian Wanda Group

Location: Triangle de Gonesse, Ile-de-France, North of Paris, France (EuropaCity) 

Program: Cultural centre dedicated to cinematographic art          

Building surface: 10 045 m2 gross floor area 

Building volume: 75 540 m3

Building site: 7 641 m2

Programme: Cultural centre dedicated to cinematographic art  

Status: Winning competition entry 

Credits

UNStudio: Ben van Berkel with Wouter de Jonge, Imola Berczi, Aurélie Hsiao and Alexandra Virlan, Julia Gottstein, Ana Maldonado, Dimitra Chatzipantazi, Saba Nabavi, Eva Poulopoulou, Jay Tsai, Patrik Noome, Spyros Nikolopoulos

Advisors:

Visualisations © Flying Architecture

> via UNStudio