Image credit: Two women operating ENIAC, US Army (Wikimedia, Public Domain)
Impact Round-Up 21st June: Universities as big business, coding the future, and openings in knowledge production.
Managing Editor Sierra Williams presents a round-up of popular stories from around the web on higher education, academic impact, and trends in scholarly communication.
Dorothy Bishop calls out the management decisions at King’s College London that could lead to redundancies for academic staff in order to improve its bottom line in The University as big business: The case of King’s College London.
Traditionally a university was regarded as an institution whose primary function was the furtherance of learning and knowledge. Money was needed to maintain the infrastructure and pay the staff, but the money was a means to an end, not an end in itself. However, it seems that this quaint notion is now rejected in favour of a model of a university whose success is measured in terms of its income, not in terms of its intellectual capital. [read more]
The happy truth is, if you get the fundamentals about how computers think, and how humans can talk to them in a language the machines understand, you can imagine a project that a computer could do, and discuss it in a way that will make sense to an actual programmer. Because as programmers will tell you, the building part is often not the hardest part: It’s figuring out what to build. “Unless you can think about the ways computers can solve problems, you can’t even know how to ask the questions that need to be answered,” says Annette Vee, a University of Pittsburgh professor who studies the spread of computer science literacy. [read more]
Un-Fathom-able: The Hidden History of Ed-Tech by Audrey Watters:
To contend, as my friend overheard at that tech event or as Khan [of the Khan Academy] implies in his history of education, that schools haven’t been involved in the development or deployment of computers or the Internet, for example, is laughably incorrect - it’s an inaccurate, incomplete history of computing technology, not simply an inaccurate history of ed-tech. [read more]
From Openness to Openings: Reflections on the Experiments in Knowledge Production workshop by Endre D&a’nyi and Joe Deville:
All forms of knowledge production are situated achievements, whose success cannot be measured along an axis with the ‘good’ and the ‘open’ at one end and the ‘bad’ and ‘closed’ at the other. It is probably better to think of Open Access publishing as several interrelated attempts to open up the black box of academic publishing, and to acknowledge that such attempts necessarily involve acts of closure. The question is not whether OA is a good development or not, but what differences are we interested in making, for whom, and under what circumstances. This marks a shift, then, from working with apparently known states of openness operating akin to regulatory ideals, to situated practices of, and experiments with, opening. As experiments the effects these acts of opening generate are not quite knowable from the outset. It is this that makes it all the more important that when openings are made, they are opened with care. [read more]
In the digital economy, free and open source tools have made it possible for the masses to use comparable tools to those that the most highly paid workers use to create today’s most valuable commodities– web applications, multimedia entertainment, and other intellectual property. In Marxist terms, it means that for the first time, the proletariat have the same access to the “means of production” as the bourgeoisie. Rather than being dependent on moneyed interests for high quality websites, graphic design, or multimedia, average people can control the tools to do these jobs themselves.
This article originally published in The Impact of Social Sciences blog
Text and images: Sara Anne Best
At 43, Sou Fujimoto is the youngest architect to author a Serpentine Pavilion. Will his talk in Sydney inspire encouragement and support to the emerging generation of architects?
A gargantuan pebble lies dormant in Kensington Gardens, on the doorstep of the Serpentine Gallery. Chilean architect, Smiljan Radic’s paper-mache carapace is the antithesis of last year’s translucent terrain by Sou Fujimoto. It is a contradiction that highlights the pavilion commission as an ‘unparalleled site for architectural experimentation’.
Often a luxury, the privilege is awarded to an architect yet to build in the UK, enabling local audiences to ‘engage with their work first hand’. It is a prestigious honour and at once an affirmation and catalyst toward architectural fame. Yet in a profession that draws heavily on the work of others to teach and inspire, there is a commensurate level of responsibility.
Andrés Jaque is Visiting Professor at Graduate School of Architecture, Planning and Preservation GSAPP Columbia University, Summer and Fall term of 2014.
Andrés Jaque is Advance Studio Professor at Princeton University, Spring Term of 2014.
Andrés Jaque / Office for Political Innovation selected as one of the Design of the Year 2013 Award in Architecture category with IKEA Disobedients (Design Museum, London).
Andrés Jaque is part of the Jury of ARQUIA / Próxima
Andrés Jaque is part of the Jury for 'Jump the Gap' Competition 2012-2013, presided by Kazuyo Sejima.
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